For the Days You Feel Like a Louis

 

One_Direction_part_2

I think we’re talking about the guy in the turtleneck, right? (Source: TV Tropes)

To be honest, I know very little about the artists formerly known as One Direction. I knew a few of their songs and knew my cousin had a crush on the one who dated Taylor Swift, but that was about it. I was a sophomore in college by the time their first album came out, so I was not their target audience. (No shade to any college-age Directioners out there!)

When I saw this past week that the Guardian had interviewed former 1D member Louis Tomlinson, I almost scrolled past. But the headline stopped me: “Niall is lovely, Zayn has the voice, Harry is cool, Liam gets the crowd going … then there’s me.”

Then there’s me.

Tomlinson and his fellow boy-banders were on top of the world for a good few years. They churned out one hit song after another, sold out stadiums worldwide, and were hounded by millions of screaming preteen and teenage fans.

And yet, Tomlinson did not feel valuable. In the Guardian interview, he says, “You know I didn’t sing a single solo on the X Factor [the show by which 1D was formed] … But when you actually think about how that feels, standing on stage every single week, thinking: ‘What have I really done to contribute here? Sing a lower harmony that you can’t really hear in the mix?’”

I never thought I’d say this, but I can totally relate to this multimillionaire/former boy band member. How often have we looked around at our friends and coworkers and classmates and felt insignificant or overlooked? “Why did he get that promotion and I didn’t?” “She gets all the guys and I haven’t had a date in two years.” “Why bother trying? No one ever notices me anyway.”

When I did high school theatre, I used to joke that I always played “the crazy old lady who dies at the end,” i.e. not the ingenue. While I really enjoyed playing the crazy character parts, I had a desperate desire to be the young, pretty lead. Like any high school girl, I wanted other people to tell me I was beautiful, talented and worthy of singing power ballads in a flowy white dress. And since I never got the lead, no matter how hard I worked, I thought I must not be beautiful enough or skinny enough or talented enough for people to want to spend a whole evening looking at me. I must not matter.

I carried that resentment into my community theatre career as an adult. One night, I was talking with a few of my castmates about our high school theatre days. As usual, I joked about always playing the crazy old lady, but the lead actress in the show could sense the bitterness behind my laugh. She looked me straight in the eye and said, “You know why you always got those parts? Because you had talent. You look around at all the girls who played the young, pretty ingenue in high school. They’re not getting cast now, and you still are.”

She was right. The majority of the kids who got the lead roles in my high school are not performing anymore. You know who still is? The ensemble, the supporting cast, the kids who lurked behind the shiny lead actors, honing their craft and learning from every single role, even if they only had one line. Many of them have gone on to play lead roles, or their own dream roles, after high school. If they had given up in high school, they would have missed so many opportunities to shine.

Similarly, while band members Harry Styles and Zayn Malik got most of the media attention, Tomlinson used his time out of the direct spotlight wisely. According to the interview, he learned how to negotiate with managers and label executives backstage, which led him to start his own record label. He also became a father, the first member of the band to do so. On top of all this, he just released his debut solo single and is working on new music.

It’s difficult to say where Tomlinson’s career goes from here. Perhaps he will “make it” as a solo artist, maybe not. I honestly wouldn’t be surprised if in a few years, he’s the “it” record producer that everyone in the music industry is dying to work with. In any case, 1D was not Tomlinson’s time to shine, but that doesn’t mean his future is dim.

If you’re feeling like a Louis in your own life, don’t despair. Nothing is permanent in this life, even boy bands. Find that one thing that fills you up, and become an expert at it. Learn about the behind-the-scenes processes. Take every opportunity as a chance to grow. Be humble. Ask questions. Make mistakes. Remember that the current situation you’re in is not your end point.

My favorite quote attributed to St. Catherine of Siena is, “Become who God meant you to be, and you will set the world on fire.” This, in essence, is what truly makes you beautiful.

À bientôt !

– Vicky  

 

15 Situations Made Less Awkward by Contra Dance

Last Saturday night was the first contra dance of the semester at the big university in town. For me and my friends, this is the best night of the month. Since a friend who plays fiddle in a contra band introduced a group of us to the swirling, toe-tapping world of contra dance last semester, we’ve become addicted.  

Contra dance is a New England variation of 17th century English country dance. (Think Jane Austen attending a party thrown by Laura Ingalls Wilder.) The name, as I found out comes from the French, contre danse. Happy Francophile is happy. I and my friends join 60 or so local residents — no formal partner required, because everyone changes partners for every dance — and step, swing and sway according to the caller’s directions.

I’ve been trying to write about contra for a while, but of course I couldn’t do it to my satisfaction without a pinch of snark. So, here I bring you 15 normally awkward situations rendered slightly less mal à droite by contra dancing. Notice how I say “slightly.”

1. Stepping on your partner’s toes. Contra moves fast. Ain’t nobody got time for excuses for your two left feet. Quickly apologize and move on.

2. Someone stepping on your toes. Don’t wear sandals. Don’t do it.

3. Sweat. By the end of the first dance, contra dance halls get as warm and moist as a greenhouse. You will be touching a lot of sweaty backs. Get used to it.

4. Asking a guy to dance. There’s usually a shortage of partners, so grab ’em while you can.

5. Asking another girl to dance. It’s not weird. Seriously.

6. Dancing with someone other than your SO. Everyone changes partners. Don’t be stingy. And even in the course of the dance, you end up dancing with several different partners, or “neighbors.”

On a side note, my ex-boyfriend told me that seeing me dance with other guys made him jealous in a “Save the Last Dance for Me” kind of way. He was dating a pretty girl that guys wanted to dance with, but he would always scoop me up for the closing waltz. (We didn’t break up because of contra, I swear!)

7. Dancing with someone twice your age. Contra dances attract a lot of locals. People under 30 make up a small percent of the population, even in a college town.

8. Dancing with someone old enough to be your grandfather. See above.

9. Holding hands with a stranger. You have to hold hands with your partner or else you will go spinning into the wall. Between a broken nose and clasping someone else’s sweaty palm, I’d choose the latter.

10. Staring into someone’s eyes for a whole minute. Eye contact is crucial for “swinging,” or spinning in a circle with your partner, especially for those prone to motion sickness.

11. Small talk. Normally, I hate small talk, but it’s even more awkward if you dance with someone without getting at least their name.

12. Dancing with someone in whom you have no romantic interest. These dances may have been designed as a form of courtship, or Elizabeth-and-Darcy-style snark-fests, but asking someone to dance does not mean you like them, nor does being asked to dance mean someone likes you.

13. Dancing with someone who you do find attractive. You can always play the it’s-a-contra-dance-and-my-dancing-with-you-is-totally-arbitrary-except-not-really card.

14. Not having any idea how to dance. There is someone there whose sole job is to tell you what to do, i.e. the caller.

15. Showing that you’re having a good time. People appreciate smiling. And laughing. You’re not a robot. Relax. Have fun.

À la prochaine!

– Vicky